S No Theatre Arts Project Topics with Materials: Click on a topic to continue Price
1 Trauma in Children and Adolescents: Drama Therapy and Psycholodramatic Approach [THA0121] ₦ 3,000
2 The impact of music on television commercial [THA0120] ₦ 5,000
3 Costume and makeup as a vital tool for cultural and tourism promotion and preservation in Nigeria. [THA0119] ₦ 5,000
4 Costume and make-up as variable tools for cultural promotion and tourism. A study of Nigerian home videos [THA0118] ₦ 5,000
5 REVOLUTIONARY ETHOS IN BODE SOWANDE'S FARWELL TO BABYLON AND CIRCUS OF FREEDOM SQUARE. [THA0117] ₦ 5,000
6 Women as an Agent of Peace in Ahmed Yerima's Little Drops and Aristophanes' Lysistrata [THA0116] ₦ 5,000
7 THE ROLE OF A FILM-MAKER IN SUSTAINING CULTURE DEVELOPMENT IN THE CONTEMPORARY NIGERIAN SOCIETY-A CASE STUDY OF - KUNLE AFOLAYAN.-OCTOBER 1- FEATURE FILM [THA0115] ₦ 5,000
8 EFFECTS OF TONES ON THE SEGMENTAL AND SUPRA-SEGMENTAL FEATURES OF TIV [THA0114] ₦ 5,000
9 ROLE INTERPRETATION TECHNIQUES AND THE NIGERIAN ACTOR: PETER FATOMILOLA IN FOCUS [THA0113] ₦ 5,000
10 MANAGING THE UNIVERSITY BASED THEATRE, CHALLENGES AND PROSPECTS; FUOYE AS A CASE STUDY [THA0112] ₦ 5,000
11 CRITICAL ANALYSIS OF COSTUME AND MAKE-UP IN THE CONFLUENCE V-CARNIVAL 2014 OF KOGI STATE, NIGERIA [THA0111] ₦ 5,000
12 PRINT MEDIA AS A TOOL FOR POLITICAL PROPAGANDA AND IDEOLOGY, A CASE STUDY OF TRIBUNE NEWSPAPER COVERAGE OF 2015 GENERAL ELECTION IN NIGERIA [THA0110] ₦ 5,000
13 AESTETHICS OF FOLKISM: A CRITICAL ANALYSIS OF AHMED YERIMA’S ABOBAKU AND ORISA IBEJI [THA0109] ₦ 5,000
14 NOLLYWOOD AS A PRESERVER OF NIGERIAN CULTURE; A CASE STUDY OF TUNDE KELANI’S ARUGBA [THA0108] ₦ 5,000
15 TELEVISION PROGRAMMING FOR SOCIAL DEVELOPMENT: A STUDY OF AAJIIREBI PROGRAMME ON AFRICA MAGIC YORUBA [THA0107] ₦ 5,000
16 EFFECTIVE HOUSE MANAGEMENT AS TOOL FOR AUDIENCE MOTIVATION: A CASE STUDY OF ONDO STATE MINISTRY FOR CULTURE AND TOURISM [THA0106] ₦ 5,000
17 RADIO DRAMA FOR SOCIAL MOBILIZATION: A COMPARATIVE ANALYSIS OF "JDPC HALF HOUR" ON POSITIVE FM AKURE AND "LABE ORULE" ON PROGRESS FM ADO EKITI [THA0105] ₦ 5,000
18 CREATIVE DIRECTING AS DECONSTRUCTION: AN EXAMINATION OF BAKARE'S APPROACH TO WALE OGUNYEMI'S LANGBODO [THA0104] ₦ 5,000
19 AN APPRAISAL OF THE PRINT MEDIA IN POLITICAL MOBILIZATION IN NIGERIA [THA0103] ₦ 5,000
20 THE PLAY DIRECTOR AS A TEACHER: A STUDY OF RASAKI OJO, BAKARE'S DIRECTING TECHNIQUE [THA0102] ₦ 5,000
21 THE PHILOSOPHY OF BASICS AND FRAGMENTS IN PLAY-DIRECTING: CIRCUS OF FREEDOM SQUARE PRODUCTION AS PARADIGM [THA0101] ₦ 5,000
22 AESTHETICS IN PLAY PRODUCTION AS A VIABLE FACTOR FOR AUDIENCE APPEAL: DRUMS OF WAR AS PARADIGM [THA0100] ₦ 5,000
23 FORM AND CONTENT OF BATA DANCE PERFORMANCE OF THE YORUBA PEOPLE OF SOUTHWEST NIGERIA [THA0099] ₦ 5,000
24 CREATIVE DRAMATICS AS A TOOL FOR ENHANCING CHILDREN's PSYCHOLOGICAL AND INTELLECTUAL DEVELOPMENT: A CASE STUDY OF C.A.C NURSERY AND PRIMARY SCHOOL WORKSHOP [THA0098] ₦ 5,000
25 COMMUNICATING WITH COSTUME AND MAKEUP IN NIGERIAN HOME VIDEO FILM. A STUDY OF "EFUNSETAN ANIWURA" [THA0097] ₦ 5,000
26 ACTOR(S) AS INALIENABLE COMMUNICATOR OF DRAMA: THE PERFORMANCE OF THE PRIME Ml JSTER'S SO AS A PARADIGM [THA0096] ₦ 5,000
27 AN APPRAISAL OF THE IMPACT OF SOCIAL MEDIA ON YOUTHS IN FEDERAL UNIVERSITY, OYE EKITI [THA0095] ₦ 5,000
28 ACTING TECHNIQUES AND ROLE INTERPRETATION BY THENIGERIANACTOR:A CASE STUDY OF KOLA OYEWO [THA0094] ₦ 5,000
29 SEMIOTICS OF SET DESIGN IN OLA ROTIMI'S "THE GODS ARE NOT TO BLAME" PRODUCTION [THA0093] ₦ 5,000
30 INFLUENCE OF TELEVISION ADVERTISEMENT ON THE BUYING CHOICE OF SANITARY PAD BY STUDENTS IN ADO EKITI, EKITI STATE [THA0092] ₦ 5,000
31 TELEVISION FOR CULTURAL LEARNING; A CASE STUDY OF PERE ODE ON EKITl STATE TELEVISION (EKTV) [THA0091] ₦ 5,000
32 THE EFFECT OF SATIRE IN WALE ADENUGA'S "PAPA AJASCO" [THA0090] ₦ 5,000
33 FUNCTIONAL AESTHETICS OF AFRICAN DANCE: A STUDY OF AKOTO DANCE [THA0089] ₦ 5,000
34 POLITICAL THEATRE AND CORRUPTION IN NIGERIA: FINDING MEANINGS IN RASAKI OJO BAKARE'S ONCE UPON A TOWER. [THA0088] ₦ 5,000
35 THE EFFECTS OF VISUAL DESIGNS ON AFRICAN EPIC DRAMA A D THEATRE: A STUDY OF LANGBODO PRODUCTION [THA0087] ₦ 5,000
36 DANCE AS A COMMUNICATION TOOL USING OBITUN AS A CASE STUDY [THA0086] ₦ 5,000
37 MANAGING THE UNIVERSITY BASED THEATRE; CHALLENGES AND PROSPECTS, FUOYE AS A CASE STUDY [THA0085] ₦ 5,000
38 THE MEDIA AND INTRA-PARTY DISPUTE IN NIGERIA: A STUDY OF SELECTED NEWSPAPERS' EDITORIALS ON THE LEADERSHIP DISPUTE IN THE PEOPLE'S DEMOCRATIC PARTY (2016/2'017) [THA0084] ₦ 5,000
39 The Media And Intra-Party Dispute In Nigeria: A Study Of Selected Newspapers' Editorials On The Leadership Dispute In The People's Democratic Party (2016/2'017) [THA0083] ₦ 5,000
40 Social media video clips as social commentary in southern and east Africa: A Case Study of Admire kuzhangaira, Rolland Lunga, Kansiime Anne and pepukai zvemari. [THA0082] ₦ 5,000
41 Community Theatre as a Tool For Social change: The Case amakhosi Productions- “Don’t –ungaqali” and “Stop” [THA0081] ₦ 5,000
42 An interogation into the influence of patriarchy on the representation of women in zimbabwean films. The case of daves guzha’s “sinners” and tsitsi dangarembga’s i want a wedding dress [THA0080] ₦ 5,000
43 African Art Songs In Nairobi: Investigating Musical Idiomatic Expressions In Performance Practice [THA0079] ₦ 5,000
44 An Evaluation of Corporate Social Responsibility Communication Strategies In Shell Petroleum Development Company (Spdc), Nigeria. [THA0078] ₦ 5,000
45 Audience Participation in Broadcast Television Programmes in Nigeria: A Study of Nigerian Television Authority's Tuesday Live and African Independent Television Focus Nigeria [THA0077] ₦ 5,000
46 A Study of Selected Cinema Houses in Lagos State [THA0076] ₦ 5,000
47 The impact of music on television commercial [THA0075] ₦ 5,000
48 COSTUME AND MAKEUP AS A VITAL TOOL FOR CULTURAL AND TOURISM PROMOTION AND PRESERVATION IN NIGERIA. [THA0074] ₦ 5,000
49 The impact of music on television commercial [THA0073] ₦ 5,000
50 COSTUME AND MAKEUP AS A VITAL TOOL FOR CULTURAL AND TOURISM PROMOTION AND PRESERVATION IN NIGERIA. [THA0072] ₦ 5,000
51 Women as an Agent of Peace in Ahmed Yerima's Little Drops and Aristophanes' Lysistrata [THA0071] ₦ 5,000
52 ACTOR(S) AS INALIENABLE COMMUNICATOR OF DRAMA: THE PERFORMANCE OF THE PRIME Ml JSTER'S SO AS A PARADIGM [THA0070] ₦ 5,000
53 AN APPRAISAL OF THE IMPACT OF SOCIAL MEDIA ON YOUTHS IN FEDERAL UNIVERSITY, OYE EKITI [THA0069] ₦ 5,000
54 ACTING TECHNIQUES AND ROLE INTERPRETATION BY THENIGERIANACTOR:A CASE STUDY OF KOLA OYEWO [THA0068] ₦ 5,000
55 SEMIOTICS OF SET DESIGN IN OLA ROTIMI'S "THE GODS ARE NOT TO BLAME" PRODUCTION [THA0067] ₦ 5,000
56 INFLUENCE OF TELEVISION ADVERTISEMENT ON THE BUYING CHOICE OF SANITARY PAD BY STUDENTS IN ADO EKITI, EKITI STATE [THA0066] ₦ 5,000
57 TELEVISION FOR CULTURAL LEARNING; A CASE STUDY OF PERE ODE ON EKITl STATE TELEVISION (EKTV) [THA0065] ₦ 5,000
58 THE EFFECT OF SATIRE IN WALE ADENUGA'S "PAPA AJASCO" [THA0064] ₦ 5,000
59 FUNCTIONAL AESTHETICS OF AFRICAN DANCE: A STUDY OF AKOTO DANCE [THA0063] ₦ 5,000
60 POLITICAL THEATRE AND CORRUPTION IN NIGERIA: FINDING MEANINGS IN RASAKI OJO BAKARE'S ONCE UPON A TOWER. [THA0062] ₦ 5,000
61 THE EFFECTS OF VISUAL DESIGNS ON AFRICAN EPIC DRAMA A D THEATRE: A STUDY OF LANGBODO PRODUCTION [THA0061] ₦ 5,000
62 DANCE AS A COMMUNICATION TOOL USING OBITUN AS A CASE STUDY [THA0060] ₦ 5,000
63 MANAGING THE UNIVERSITY BASED THEATRE; CHALLENGES AND PROSPECTS, FUOYE AS A CASE STUDY [THA0059] ₦ 5,000
64 ACTOR(S) AS INALIENABLE COMMUNICATOR OF DRAMA: THE PERFORMANCE OF THE PRIME Ml JSTER'S SO AS A PARADIGM [THA0058] ₦ 5,000
65 AN APPRAISAL OF THE IMPACT OF SOCIAL MEDIA ON YOUTHS IN FEDERAL UNIVERSITY, OYE EKITI [THA0057] ₦ 5,000
66 ACTING TECHNIQUES AND ROLE INTERPRETATION BY THENIGERIANACTOR:A CASE STUDY OF KOLA OYEWO [THA0056] ₦ 5,000
67 SEMIOTICS OF SET DESIGN IN OLA ROTIMI'S "THE GODS ARE NOT TO BLAME" PRODUCTION [THA0055] ₦ 5,000
68 INFLUENCE OF TELEVISION ADVERTISEMENT ON THE BUYING CHOICE OF SANITARY PAD BY STUDENTS IN ADO EKITI, EKITI STATE [THA0054] ₦ 5,000
69 TELEVISION FOR CULTURAL LEARNING; A CASE STUDY OF PERE ODE ON EKITl STATE TELEVISION (EKTV) [THA0053] ₦ 5,000
70 THE EFFECT OF SATIRE IN WALE ADENUGA'S "PAPA AJASCO" [THA0052] ₦ 5,000
71 FUNCTIONAL AESTHETICS OF AFRICAN DANCE: A STUDY OF AKOTO DANCE [THA0051] ₦ 5,000
72 POLITICAL THEATRE AND CORRUPTION IN NIGERIA: FINDING MEANINGS IN RASAKI OJO BAKARE'S ONCE UPON A TOWER. [THA0050] ₦ 5,000
73 THE EFFECTS OF VISUAL DESIGNS ON AFRICAN EPIC DRAMA A D THEATRE: A STUDY OF LANGBODO PRODUCTION [THA0049] ₦ 5,000
74 DANCE AS A COMMUNICATION TOOL USING OBITUN AS A CASE STUDY [THA0048] ₦ 5,000
75 MANAGING THE UNIVERSITY BASED THEATRE; CHALLENGES AND PROSPECTS, FUOYE AS A CASE STUDY [THA0047] ₦ 5,000
76 REVOLUTIONARY ETHOS IN BODE SOWANDE'S FARWELL TO BABYLON AND CIRCUS OF FREEDOM SQUARE. [THA0046] ₦ 5,000
77 The impact of music on television commercial [THA0045] ₦ 5,000
78 COSTUME AND MAKEUP AS A VITAL TOOL FOR CULTURAL AND TOURISM PROMOTION AND PRESERVATION IN NIGERIA. [THA0044] ₦ 5,000
79 EFFECTS OF TONES ON THE SEGMENTAL AND SUPRA-SEGMENTAL FEATURES OF TIV [THA0043] ₦ 5,000
80 The impact of music on television commercial [THA0042] ₦ 5,000
81 COSTUME AND MAKEUP AS A VITAL TOOL FOR CULTURAL AND TOURISM PROMOTION AND PRESERVATION IN NIGERIA. [THA0041] ₦ 5,000
82 The impact of music on television commercial [THA0040] ₦ 5,000
83 Costume and makeup as a vital tool for cultural and tourism promotion and preservation in Nigeria. [THA0039] ₦ 5,000
84 THE ROLE OF A FILM-MAKER IN SUSTAINING CULTURE DEVELOPMENT IN THE CONTEMPORARY NIGERIAN SOCIETY-A CASE STUDY OF - KUNLE AFOLAYAN.-OCTOBER 1- FEATURE FILM [THA0038] ₦ 5,000
85 ROLE INTERPRETATION TECHNIQUES AND THE NIGERIAN ACTOR: PETER FATOMILOLA IN FOCUS [THA0037] ₦ 5,000
86 MANAGING THE UNIVERSITY BASED THEATRE, CHALLENGES AND PROSPECTS; FUOYE AS A CASE STUDY [THA0036] ₦ 5,000
87 CRITICAL ANALYSIS OF COSTUME AND MAKE-UP IN THE CONFLUENCE V-CARNIVAL 2014 OF KOGI STATE, NIGERIA [THA0035] ₦ 5,000
88 PRINT MEDIA AS A TOOL FOR POLITICAL PROPAGANDA AND IDEOLOGY, A CASE STUDY OF TRIBUNE NEWSPAPER COVERAGE OF 2015 GENERAL ELECTION IN NIGERIA [THA0034] ₦ 5,000
89 AESTETHICS OF FOLKISM: A CRITICAL ANALYSIS OF AHMED YERIMA’S ABOBAKU AND ORISA IBEJI [THA0033] ₦ 5,000
90 NOLLYWOOD AS A PRESERVER OF NIGERIAN CULTURE; A CASE STUDY OF TUNDE KELANI’S ARUGBA [THA0032] ₦ 5,000
91 THE RELEVANCE OF SOUND AND VISUAL AESTHETICS IN PLAY PRODUCTION: A CASE STUDY OF “PRIZED CHICKENS ARE NOT TASTY” BY SAINT GBILEKAA [THA0031] ₦ 5,000
92 The Imperative of socio-political satire in Femi Osofisan's Many Colours Makes Thunder King [THA0030] ₦ 5,000
93 Gender Dimensions of war: a study of Femi Osofisan's Women of owu [THA0029] ₦ 5,000
94 Despotism, Ritual Sacrifice and the Unconscious [THA0028] ₦ 5,000
95 DECEIT AND INFIDELITY IN FEMI OSOFISANS MIDNIGHT HOTEL AND FIDDLERS ON A MIDNIG [THA0027] ₦ 5,000
96 CRITICAL ANALYSIS OF COSTUME AND MAKE-UP IN THE CONFLUENCE V-CARNIVAL 2014 OF KOGI STATE, NIGERIA [THA0026] ₦ 5,000
97 PRINT MEDIA AS A TOOL FOR POLITICAL PROPAGANDA AND IDEOLOGY, A CASE STUDY OF TRIBUNE NEWSPAPER COVERAGE OF 2015 GENERAL ELECTION IN NIGERIA [THA0025] ₦ 5,000
98 AESTETHICS OF FOLKISM: A CRITICAL ANALYSIS OF AHMED YERIMA’S ABOBAKU AND ORISA IBEJI [THA0024] ₦ 5,000
99 NOLLYWOOD AS A PRESERVER OF NIGERIAN CULTURE; A CASE STUDY OF TUNDE KELANI’S ARUGBA [THA0023] ₦ 5,000
100 TELEVISION PROGRAMMING FOR SOCIAL DEVELOPMENT: A STUDY OF AAJIIREBI PROGRAMME ON AFRICA MAGIC YORUBA [THA0022] ₦ 5,000
101 EFFECTIVE HOUSE MANAGEMENT AS TOOL FOR AUDIENCE MOTIVATION: A CASE STUDY OF ONDO STATE MINISTRY FOR CULTURE AND TOURISM [THA0021] ₦ 5,000
102 RADIO DRAMA FOR SOCIAL MOBILIZATION: A COMPARATIVE ANALYSIS OF "JDPC HALF HOUR" ON POSITIVE FM AKURE AND "LABE ORULE" ON PROGRESS FM ADO EKITI [THA0020] ₦ 5,000
103 CREATIVE DIRECTING AS DECONSTRUCTION: AN EXAMINATION OF BAKARE'S APPROACH TO WALE OGUNYEMI'S LANGBODO [THA0019] ₦ 5,000
104 AN APPRAISAL OF THE PRINT MEDIA IN POLITICAL MOBILIZATION IN NIGERIA [THA0018] ₦ 5,000
105 THE PLAY DIRECTOR AS A TEACHER: A STUDY OF RASAKI OJO, BAKARE'S DIRECTING TECHNIQUE [THA0017] ₦ 5,000
106 THE PHILOSOPHY OF BASICS AND FRAGMENTS IN PLAY-DIRECTING: CIRCUS OF FREEDOM SQUARE PRODUCTION AS PARADIGM [THA0016] ₦ 5,000
107 AESTHETICS IN PLAY PRODUCTION AS A VIABLE FACTOR FOR AUDIENCE APPEAL: DRUMS OF WAR AS PARADIGM [THA0015] ₦ 5,000
108 FORM AND CONTENT OF BATA DANCE PERFORMANCE OF THE YORUBA PEOPLE OF SOUTHWEST NIGERIA [THA0014] ₦ 5,000
109 CREATIVE DRAMATICS AS A TOOL FOR ENHANCING CHILDREN's PSYCHOLOGICAL AND INTELLECTUAL DEVELOPMENT: A CASE STUDY OF C.A.C NURSERY AND PRIMARY SCHOOL WORKSHOP [THA0013] ₦ 5,000
110 COMMUNICATING WITH COSTUME AND MAKEUP IN NIGERIAN HOME VIDEO FILM. A STUDY OF "EFUNSETAN ANIWURA" [THA0012] ₦ 5,000
111 THE CONTRIBUTION OF FOLKISM TO MEANINGFUL THEMATIC EXPLORATION IN NIGERIAN PLAYWRITING [THA0011] ₦ 5,000
112 RADIO DRAMA AS A TOOL FOR SOCIAL CHANGE [THA0010] ₦ 5,000
113 COMMUNICATING CHANGE AND SOCIETAL VALUES IN SELECTING NIGERIAN HOME MOVIES [THA0009] ₦ 5,000
114 THEATRE AS A TOOL FOR COMMUNICATING HAND WASHING AMONG PRIMARY SCHOOL PUPILS [THA0008] ₦ 5,000
115 YOUTUBE, NEW MEDIA, ADVOCACY AND THE CHALLENGES OF AUTHENTICITY [THA0007] ₦ 5,000
116 THE INFLUENCE OF THE INTERNET ON INFORMATION ACQUISITION AMONG STUDENTS [THA0006] ₦ 5,000
117 ASSESSING PARTICIPATORY RESEARCH FOR EFFECTIVE DESIGN OF HEALTH COMMUNICATION [THA0005] ₦ 5,000
118 AUDIENCE PERCEPTION OF MEDIA COVERAGE AND MANAGEMENT OF THE 2011 POST ELECTION VIOLENCE [THA0004] ₦ 5,000
119 A COMPARATIVE STUDY OF TRADITIONAL AND CONTEMPORARY NIGERIAN DANCES [THA0003] ₦ 5,000
120 COSTUMING AN ABSURD PLAY: CASE STUDY OF SAMUEL BECKETT’S WAITING FOR GODOT [THA0002] ₦ 5,000
121 PRINCIPLES OF DESIGNING AND THE APPLICATION OF MAKEUP IN NOLLYWOOD PRODUCTION [THA0001] ₦ 5,000
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