| 1 |
Trauma in Children and Adolescents: Drama Therapy and Psycholodramatic Approach [THA0121] |
₦ 5,000 |
| 2 |
The impact of music on television commercial [THA0120] |
₦ 5,000 |
| 3 |
Costume and makeup as a vital tool for cultural and tourism promotion and preservation in Nigeria. [THA0119] |
₦ 5,000 |
| 4 |
Costume and make-up as variable tools for cultural promotion and tourism. A study of Nigerian home videos [THA0118] |
₦ 5,000 |
| 5 |
REVOLUTIONARY ETHOS IN BODE SOWANDE'S FARWELL TO BABYLON AND CIRCUS OF FREEDOM SQUARE. [THA0117] |
₦ 5,000 |
| 6 |
Women as an Agent of Peace in Ahmed Yerima's Little Drops and Aristophanes' Lysistrata [THA0116] |
₦ 5,000 |
| 7 |
THE ROLE OF A FILM-MAKER IN SUSTAINING CULTURE DEVELOPMENT IN THE CONTEMPORARY NIGERIAN SOCIETY-A CASE STUDY OF - KUNLE AFOLAYAN.-OCTOBER 1- FEATURE FILM [THA0115] |
₦ 5,000 |
| 8 |
EFFECTS OF TONES ON THE SEGMENTAL AND SUPRA-SEGMENTAL FEATURES OF TIV [THA0114] |
₦ 5,000 |
| 9 |
ROLE INTERPRETATION TECHNIQUES AND THE NIGERIAN ACTOR: PETER FATOMILOLA IN FOCUS [THA0113] |
₦ 5,000 |
| 10 |
MANAGING THE UNIVERSITY BASED THEATRE, CHALLENGES AND PROSPECTS; FUOYE AS A CASE STUDY [THA0112] |
₦ 5,000 |
| 11 |
CRITICAL ANALYSIS OF COSTUME AND MAKE-UP IN THE CONFLUENCE V-CARNIVAL 2014 OF KOGI STATE, NIGERIA [THA0111] |
₦ 5,000 |
| 12 |
PRINT MEDIA AS A TOOL FOR POLITICAL PROPAGANDA AND IDEOLOGY, A CASE STUDY OF TRIBUNE NEWSPAPER COVERAGE OF 2015 GENERAL ELECTION IN NIGERIA [THA0110] |
₦ 5,000 |
| 13 |
AESTETHICS OF FOLKISM: A CRITICAL ANALYSIS OF AHMED YERIMA’S ABOBAKU AND ORISA IBEJI [THA0109] |
₦ 5,000 |
| 14 |
NOLLYWOOD AS A PRESERVER OF NIGERIAN CULTURE; A CASE STUDY OF TUNDE KELANI’S ARUGBA [THA0108] |
₦ 5,000 |
| 15 |
TELEVISION PROGRAMMING FOR SOCIAL DEVELOPMENT: A STUDY OF AAJIIREBI PROGRAMME ON AFRICA MAGIC YORUBA [THA0107] |
₦ 5,000 |
| 16 |
EFFECTIVE HOUSE MANAGEMENT AS TOOL FOR AUDIENCE MOTIVATION: A CASE STUDY OF ONDO STATE MINISTRY FOR CULTURE AND TOURISM [THA0106] |
₦ 5,000 |
| 17 |
RADIO DRAMA FOR SOCIAL MOBILIZATION: A COMPARATIVE ANALYSIS OF "JDPC HALF HOUR" ON POSITIVE FM AKURE AND "LABE ORULE" ON PROGRESS FM ADO EKITI [THA0105] |
₦ 5,000 |
| 18 |
CREATIVE DIRECTING AS DECONSTRUCTION: AN EXAMINATION OF BAKARE'S APPROACH TO WALE OGUNYEMI'S LANGBODO [THA0104] |
₦ 5,000 |
| 19 |
AN APPRAISAL OF THE PRINT MEDIA IN POLITICAL MOBILIZATION IN NIGERIA [THA0103] |
₦ 5,000 |
| 20 |
THE PLAY DIRECTOR AS A TEACHER: A STUDY OF RASAKI OJO, BAKARE'S DIRECTING TECHNIQUE [THA0102] |
₦ 5,000 |
| 21 |
THE PHILOSOPHY OF BASICS AND FRAGMENTS IN PLAY-DIRECTING: CIRCUS OF FREEDOM SQUARE PRODUCTION AS PARADIGM [THA0101] |
₦ 5,000 |
| 22 |
AESTHETICS IN PLAY PRODUCTION AS A VIABLE FACTOR FOR AUDIENCE APPEAL: DRUMS OF WAR AS PARADIGM [THA0100] |
₦ 5,000 |
| 23 |
FORM AND CONTENT OF BATA DANCE PERFORMANCE OF THE YORUBA PEOPLE OF SOUTHWEST NIGERIA [THA0099] |
₦ 5,000 |
| 24 |
CREATIVE DRAMATICS AS A TOOL FOR ENHANCING CHILDREN's PSYCHOLOGICAL AND INTELLECTUAL DEVELOPMENT: A CASE STUDY OF C.A.C NURSERY AND PRIMARY SCHOOL WORKSHOP [THA0098] |
₦ 5,000 |
| 25 |
COMMUNICATING WITH COSTUME AND MAKEUP IN NIGERIAN HOME VIDEO FILM. A STUDY OF "EFUNSETAN ANIWURA" [THA0097] |
₦ 5,000 |
| 26 |
ACTOR(S) AS INALIENABLE COMMUNICATOR OF DRAMA: THE PERFORMANCE OF THE PRIME Ml JSTER'S SO AS A PARADIGM [THA0096] |
₦ 5,000 |
| 27 |
AN APPRAISAL OF THE IMPACT OF SOCIAL MEDIA ON YOUTHS IN FEDERAL UNIVERSITY, OYE EKITI [THA0095] |
₦ 5,000 |
| 28 |
ACTING TECHNIQUES AND ROLE INTERPRETATION BY THENIGERIANACTOR:A CASE STUDY OF KOLA OYEWO [THA0094] |
₦ 5,000 |
| 29 |
SEMIOTICS OF SET DESIGN IN OLA ROTIMI'S "THE GODS ARE NOT TO BLAME" PRODUCTION [THA0093] |
₦ 5,000 |
| 30 |
INFLUENCE OF TELEVISION ADVERTISEMENT ON THE BUYING CHOICE OF SANITARY PAD BY STUDENTS IN ADO EKITI, EKITI STATE [THA0092] |
₦ 5,000 |
| 31 |
TELEVISION FOR CULTURAL LEARNING; A CASE STUDY OF PERE ODE ON EKITl STATE TELEVISION (EKTV) [THA0091] |
₦ 5,000 |
| 32 |
THE EFFECT OF SATIRE IN WALE ADENUGA'S "PAPA AJASCO" [THA0090] |
₦ 5,000 |
| 33 |
FUNCTIONAL AESTHETICS OF AFRICAN DANCE: A STUDY OF AKOTO DANCE [THA0089] |
₦ 5,000 |
| 34 |
POLITICAL THEATRE AND CORRUPTION IN NIGERIA: FINDING MEANINGS IN RASAKI OJO BAKARE'S ONCE UPON A TOWER. [THA0088] |
₦ 5,000 |
| 35 |
THE EFFECTS OF VISUAL DESIGNS ON AFRICAN EPIC DRAMA A D THEATRE: A STUDY OF LANGBODO PRODUCTION [THA0087] |
₦ 5,000 |
| 36 |
DANCE AS A COMMUNICATION TOOL USING OBITUN AS A CASE STUDY [THA0086] |
₦ 5,000 |
| 37 |
MANAGING THE UNIVERSITY BASED THEATRE; CHALLENGES AND PROSPECTS, FUOYE AS A CASE STUDY [THA0085] |
₦ 5,000 |
| 38 |
THE MEDIA AND INTRA-PARTY DISPUTE IN NIGERIA: A STUDY OF SELECTED NEWSPAPERS' EDITORIALS ON THE LEADERSHIP DISPUTE IN THE PEOPLE'S DEMOCRATIC PARTY (2016/2'017) [THA0084] |
₦ 5,000 |
| 39 |
The Media And Intra-Party Dispute In Nigeria: A Study Of Selected Newspapers' Editorials On The Leadership Dispute In The People's Democratic Party (2016/2'017) [THA0083] |
₦ 5,000 |
| 40 |
Social media video clips as social commentary in southern and east Africa: A Case Study of Admire kuzhangaira, Rolland Lunga, Kansiime Anne and pepukai zvemari. [THA0082] |
₦ 5,000 |
| 41 |
Community Theatre as a Tool For Social change: The Case amakhosi Productions- “Don’t –ungaqali” and “Stop” [THA0081] |
₦ 5,000 |
| 42 |
An interogation into the influence of patriarchy on the representation of women in zimbabwean films. The case of daves guzha’s “sinners” and tsitsi dangarembga’s i want a wedding dress [THA0080] |
₦ 5,000 |
| 43 |
African Art Songs In Nairobi: Investigating Musical Idiomatic Expressions In Performance Practice [THA0079] |
₦ 5,000 |
| 44 |
An Evaluation of Corporate Social Responsibility Communication Strategies In Shell Petroleum Development Company (Spdc), Nigeria. [THA0078] |
₦ 5,000 |
| 45 |
Audience Participation in Broadcast Television Programmes in Nigeria: A Study of Nigerian Television Authority's Tuesday Live and African Independent Television Focus Nigeria [THA0077] |
₦ 5,000 |
| 46 |
A Study of Selected Cinema Houses in Lagos State [THA0076] |
₦ 5,000 |
| 47 |
The impact of music on television commercial [THA0075] |
₦ 5,000 |
| 48 |
COSTUME AND MAKEUP AS A VITAL TOOL FOR CULTURAL AND TOURISM PROMOTION AND PRESERVATION IN NIGERIA. [THA0074] |
₦ 5,000 |
| 49 |
The impact of music on television commercial [THA0073] |
₦ 5,000 |
| 50 |
COSTUME AND MAKEUP AS A VITAL TOOL FOR CULTURAL AND TOURISM PROMOTION AND PRESERVATION IN NIGERIA. [THA0072] |
₦ 5,000 |
| 51 |
Women as an Agent of Peace in Ahmed Yerima's Little Drops and Aristophanes' Lysistrata [THA0071] |
₦ 5,000 |
| 52 |
ACTOR(S) AS INALIENABLE COMMUNICATOR OF DRAMA: THE PERFORMANCE OF THE PRIME Ml JSTER'S SO AS A PARADIGM [THA0070] |
₦ 5,000 |
| 53 |
AN APPRAISAL OF THE IMPACT OF SOCIAL MEDIA ON YOUTHS IN FEDERAL UNIVERSITY, OYE EKITI [THA0069] |
₦ 5,000 |
| 54 |
ACTING TECHNIQUES AND ROLE INTERPRETATION BY THENIGERIANACTOR:A CASE STUDY OF KOLA OYEWO [THA0068] |
₦ 5,000 |
| 55 |
SEMIOTICS OF SET DESIGN IN OLA ROTIMI'S "THE GODS ARE NOT TO BLAME" PRODUCTION [THA0067] |
₦ 5,000 |
| 56 |
INFLUENCE OF TELEVISION ADVERTISEMENT ON THE BUYING CHOICE OF SANITARY PAD BY STUDENTS IN ADO EKITI, EKITI STATE [THA0066] |
₦ 5,000 |
| 57 |
TELEVISION FOR CULTURAL LEARNING; A CASE STUDY OF PERE ODE ON EKITl STATE TELEVISION (EKTV) [THA0065] |
₦ 5,000 |
| 58 |
THE EFFECT OF SATIRE IN WALE ADENUGA'S "PAPA AJASCO" [THA0064] |
₦ 5,000 |
| 59 |
FUNCTIONAL AESTHETICS OF AFRICAN DANCE: A STUDY OF AKOTO DANCE [THA0063] |
₦ 5,000 |
| 60 |
POLITICAL THEATRE AND CORRUPTION IN NIGERIA: FINDING MEANINGS IN RASAKI OJO BAKARE'S ONCE UPON A TOWER. [THA0062] |
₦ 5,000 |
| 61 |
THE EFFECTS OF VISUAL DESIGNS ON AFRICAN EPIC DRAMA A D THEATRE: A STUDY OF LANGBODO PRODUCTION [THA0061] |
₦ 5,000 |
| 62 |
DANCE AS A COMMUNICATION TOOL USING OBITUN AS A CASE STUDY [THA0060] |
₦ 5,000 |
| 63 |
MANAGING THE UNIVERSITY BASED THEATRE; CHALLENGES AND PROSPECTS, FUOYE AS A CASE STUDY [THA0059] |
₦ 5,000 |
| 64 |
ACTOR(S) AS INALIENABLE COMMUNICATOR OF DRAMA: THE PERFORMANCE OF THE PRIME Ml JSTER'S SO AS A PARADIGM [THA0058] |
₦ 5,000 |
| 65 |
AN APPRAISAL OF THE IMPACT OF SOCIAL MEDIA ON YOUTHS IN FEDERAL UNIVERSITY, OYE EKITI [THA0057] |
₦ 5,000 |
| 66 |
ACTING TECHNIQUES AND ROLE INTERPRETATION BY THENIGERIANACTOR:A CASE STUDY OF KOLA OYEWO [THA0056] |
₦ 5,000 |
| 67 |
SEMIOTICS OF SET DESIGN IN OLA ROTIMI'S "THE GODS ARE NOT TO BLAME" PRODUCTION [THA0055] |
₦ 5,000 |
| 68 |
INFLUENCE OF TELEVISION ADVERTISEMENT ON THE BUYING CHOICE OF SANITARY PAD BY STUDENTS IN ADO EKITI, EKITI STATE [THA0054] |
₦ 5,000 |
| 69 |
TELEVISION FOR CULTURAL LEARNING; A CASE STUDY OF PERE ODE ON EKITl STATE TELEVISION (EKTV) [THA0053] |
₦ 5,000 |
| 70 |
THE EFFECT OF SATIRE IN WALE ADENUGA'S "PAPA AJASCO" [THA0052] |
₦ 5,000 |
| 71 |
FUNCTIONAL AESTHETICS OF AFRICAN DANCE: A STUDY OF AKOTO DANCE [THA0051] |
₦ 5,000 |
| 72 |
POLITICAL THEATRE AND CORRUPTION IN NIGERIA: FINDING MEANINGS IN RASAKI OJO BAKARE'S ONCE UPON A TOWER. [THA0050] |
₦ 5,000 |
| 73 |
THE EFFECTS OF VISUAL DESIGNS ON AFRICAN EPIC DRAMA A D THEATRE: A STUDY OF LANGBODO PRODUCTION [THA0049] |
₦ 5,000 |
| 74 |
DANCE AS A COMMUNICATION TOOL USING OBITUN AS A CASE STUDY [THA0048] |
₦ 5,000 |
| 75 |
MANAGING THE UNIVERSITY BASED THEATRE; CHALLENGES AND PROSPECTS, FUOYE AS A CASE STUDY [THA0047] |
₦ 5,000 |
| 76 |
REVOLUTIONARY ETHOS IN BODE SOWANDE'S FARWELL TO BABYLON AND CIRCUS OF FREEDOM SQUARE. [THA0046] |
₦ 5,000 |
| 77 |
The impact of music on television commercial [THA0045] |
₦ 5,000 |
| 78 |
COSTUME AND MAKEUP AS A VITAL TOOL FOR CULTURAL AND TOURISM PROMOTION AND PRESERVATION IN NIGERIA. [THA0044] |
₦ 5,000 |
| 79 |
EFFECTS OF TONES ON THE SEGMENTAL AND SUPRA-SEGMENTAL FEATURES OF TIV [THA0043] |
₦ 5,000 |
| 80 |
The impact of music on television commercial [THA0042] |
₦ 5,000 |
| 81 |
COSTUME AND MAKEUP AS A VITAL TOOL FOR CULTURAL AND TOURISM PROMOTION AND PRESERVATION IN NIGERIA. [THA0041] |
₦ 5,000 |
| 82 |
The impact of music on television commercial [THA0040] |
₦ 5,000 |
| 83 |
Costume and makeup as a vital tool for cultural and tourism promotion and preservation in Nigeria. [THA0039] |
₦ 5,000 |
| 84 |
THE ROLE OF A FILM-MAKER IN SUSTAINING CULTURE DEVELOPMENT IN THE CONTEMPORARY NIGERIAN SOCIETY-A CASE STUDY OF - KUNLE AFOLAYAN.-OCTOBER 1- FEATURE FILM [THA0038] |
₦ 5,000 |
| 85 |
ROLE INTERPRETATION TECHNIQUES AND THE NIGERIAN ACTOR: PETER FATOMILOLA IN FOCUS [THA0037] |
₦ 5,000 |
| 86 |
MANAGING THE UNIVERSITY BASED THEATRE, CHALLENGES AND PROSPECTS; FUOYE AS A CASE STUDY [THA0036] |
₦ 5,000 |
| 87 |
CRITICAL ANALYSIS OF COSTUME AND MAKE-UP IN THE CONFLUENCE V-CARNIVAL 2014 OF KOGI STATE, NIGERIA [THA0035] |
₦ 5,000 |
| 88 |
PRINT MEDIA AS A TOOL FOR POLITICAL PROPAGANDA AND IDEOLOGY, A CASE STUDY OF TRIBUNE NEWSPAPER COVERAGE OF 2015 GENERAL ELECTION IN NIGERIA [THA0034] |
₦ 5,000 |
| 89 |
AESTETHICS OF FOLKISM: A CRITICAL ANALYSIS OF AHMED YERIMA’S ABOBAKU AND ORISA IBEJI [THA0033] |
₦ 5,000 |
| 90 |
NOLLYWOOD AS A PRESERVER OF NIGERIAN CULTURE; A CASE STUDY OF TUNDE KELANI’S ARUGBA [THA0032] |
₦ 5,000 |
| 91 |
THE RELEVANCE OF SOUND AND VISUAL AESTHETICS IN PLAY PRODUCTION: A CASE STUDY OF “PRIZED CHICKENS ARE NOT TASTY” BY SAINT GBILEKAA [THA0031] |
₦ 5,000 |
| 92 |
The Imperative of socio-political satire in Femi Osofisan's Many Colours Makes Thunder King [THA0030] |
₦ 5,000 |
| 93 |
Gender Dimensions of war: a study of Femi Osofisan's Women of owu [THA0029] |
₦ 5,000 |
| 94 |
Despotism, Ritual Sacrifice and the Unconscious [THA0028] |
₦ 5,000 |
| 95 |
DECEIT AND INFIDELITY IN FEMI OSOFISANS MIDNIGHT HOTEL AND FIDDLERS ON A MIDNIG [THA0027] |
₦ 5,000 |
| 96 |
CRITICAL ANALYSIS OF COSTUME AND MAKE-UP IN THE CONFLUENCE V-CARNIVAL 2014 OF KOGI STATE, NIGERIA [THA0026] |
₦ 5,000 |
| 97 |
PRINT MEDIA AS A TOOL FOR POLITICAL PROPAGANDA AND IDEOLOGY, A CASE STUDY OF TRIBUNE NEWSPAPER COVERAGE OF 2015 GENERAL ELECTION IN NIGERIA [THA0025] |
₦ 5,000 |
| 98 |
AESTETHICS OF FOLKISM: A CRITICAL ANALYSIS OF AHMED YERIMA’S ABOBAKU AND ORISA IBEJI [THA0024] |
₦ 5,000 |
| 99 |
NOLLYWOOD AS A PRESERVER OF NIGERIAN CULTURE; A CASE STUDY OF TUNDE KELANI’S ARUGBA [THA0023] |
₦ 5,000 |
| 100 |
TELEVISION PROGRAMMING FOR SOCIAL DEVELOPMENT: A STUDY OF AAJIIREBI PROGRAMME ON AFRICA MAGIC YORUBA [THA0022] |
₦ 5,000 |
| 101 |
EFFECTIVE HOUSE MANAGEMENT AS TOOL FOR AUDIENCE MOTIVATION: A CASE STUDY OF ONDO STATE MINISTRY FOR CULTURE AND TOURISM [THA0021] |
₦ 5,000 |
| 102 |
RADIO DRAMA FOR SOCIAL MOBILIZATION: A COMPARATIVE ANALYSIS OF "JDPC HALF HOUR" ON POSITIVE FM AKURE AND "LABE ORULE" ON PROGRESS FM ADO EKITI [THA0020] |
₦ 5,000 |
| 103 |
CREATIVE DIRECTING AS DECONSTRUCTION: AN EXAMINATION OF BAKARE'S APPROACH TO WALE OGUNYEMI'S LANGBODO [THA0019] |
₦ 5,000 |
| 104 |
AN APPRAISAL OF THE PRINT MEDIA IN POLITICAL MOBILIZATION IN NIGERIA [THA0018] |
₦ 5,000 |
| 105 |
THE PLAY DIRECTOR AS A TEACHER: A STUDY OF RASAKI OJO, BAKARE'S DIRECTING TECHNIQUE [THA0017] |
₦ 5,000 |
| 106 |
THE PHILOSOPHY OF BASICS AND FRAGMENTS IN PLAY-DIRECTING: CIRCUS OF FREEDOM SQUARE PRODUCTION AS PARADIGM [THA0016] |
₦ 5,000 |
| 107 |
AESTHETICS IN PLAY PRODUCTION AS A VIABLE FACTOR FOR AUDIENCE APPEAL: DRUMS OF WAR AS PARADIGM [THA0015] |
₦ 5,000 |
| 108 |
FORM AND CONTENT OF BATA DANCE PERFORMANCE OF THE YORUBA PEOPLE OF SOUTHWEST NIGERIA [THA0014] |
₦ 5,000 |
| 109 |
CREATIVE DRAMATICS AS A TOOL FOR ENHANCING CHILDREN's PSYCHOLOGICAL AND INTELLECTUAL DEVELOPMENT: A CASE STUDY OF C.A.C NURSERY AND PRIMARY SCHOOL WORKSHOP [THA0013] |
₦ 5,000 |
| 110 |
COMMUNICATING WITH COSTUME AND MAKEUP IN NIGERIAN HOME VIDEO FILM. A STUDY OF "EFUNSETAN ANIWURA" [THA0012] |
₦ 5,000 |
| 111 |
THE CONTRIBUTION OF FOLKISM TO MEANINGFUL THEMATIC EXPLORATION IN NIGERIAN PLAYWRITING [THA0011] |
₦ 5,000 |
| 112 |
RADIO DRAMA AS A TOOL FOR SOCIAL CHANGE [THA0010] |
₦ 5,000 |
| 113 |
COMMUNICATING CHANGE AND SOCIETAL VALUES IN SELECTING NIGERIAN HOME MOVIES [THA0009] |
₦ 5,000 |
| 114 |
THEATRE AS A TOOL FOR COMMUNICATING HAND WASHING AMONG PRIMARY SCHOOL PUPILS [THA0008] |
₦ 5,000 |
| 115 |
YOUTUBE, NEW MEDIA, ADVOCACY AND THE CHALLENGES OF AUTHENTICITY [THA0007] |
₦ 5,000 |
| 116 |
THE INFLUENCE OF THE INTERNET ON INFORMATION ACQUISITION AMONG STUDENTS [THA0006] |
₦ 5,000 |
| 117 |
ASSESSING PARTICIPATORY RESEARCH FOR EFFECTIVE DESIGN OF HEALTH COMMUNICATION [THA0005] |
₦ 5,000 |
| 118 |
AUDIENCE PERCEPTION OF MEDIA COVERAGE AND MANAGEMENT OF THE 2011 POST ELECTION VIOLENCE [THA0004] |
₦ 5,000 |
| 119 |
A COMPARATIVE STUDY OF TRADITIONAL AND CONTEMPORARY NIGERIAN DANCES [THA0003] |
₦ 5,000 |
| 120 |
COSTUMING AN ABSURD PLAY: CASE STUDY OF SAMUEL BECKETT’S WAITING FOR GODOT [THA0002] |
₦ 5,000 |
| 121 |
PRINCIPLES OF DESIGNING AND THE APPLICATION OF MAKEUP IN NOLLYWOOD PRODUCTION [THA0001] |
₦ 5,000 |
